Behind the Scenes of “The Oceans Will Rise”
2 gallons of vinegar, 4 pounds of baking soda, some strange looks from the grocery store clerk and we were on our way. I pulled an old storm window, (the same window from the carbon footprint video) out of the basement, propped it up on two chairs above a wrinkled blue sheet, and began to mount the camera to the top of a tall step ladder.
Meanwhile, Mike scraped and sorted the baking soda into the rough outlines of the continents. He taped a world map to the underside of the glass to guide him and worked assiduously, digging with his driver’s license as a shovel until the earth took shape. Then I started the camera rolling and we crept toward the masterpiece each with a jug of vinegar in hand, our breath bated so as not to disturb the fine white dust.
We did our best to coordinate the launch, for it was of crucial importance that each of us began pouring the vinegar at the same time. One from the north and one from the south.
“1, 2, 3, Go. Okay?”
“Yeah! Wait! Go on go, or go on 3?”
“On go we go.”
“Okay. Wait! Shouldn’t it be 3, 2, 1?”
Somehow we agreed when to go, and then counted down. The vinegar rushed out across the surface of the glass and collided with the baking soda shores of Greenland and Chile. Chemical reactions exploded in a chaotic foam of CO2. It was going to be a glorious illustration.
But our stunt had a flaw: the old storm window had no walls with which to contain the ocean of vinegar that we were pouring onto it. And our studio floor suffered a slant. So the ocean of vinegar rushed downwards along the slant and off the edge of the earth where it splashed in a slime creeping everywhere.
Now, as young, proud filmmakers we decided the problem was not at all a problem with our rig, but rather a problem with our pouring. If we could just pour better we could flood the oceans and complete the illustration. So we cleaned and dried the mess, refashioned the earth with baking soda, counted down, and poured again, but better this time. Again the vinegar rushed down the slanted glass off the edge of the earth to soak the studio floor.
It surprises me still how long it took to discover that a pool of liquid needs walls to contain the pool. It’s one of those moments that gives me patience when I’m frustrated with the climate change problem. It has a solution, but it’s going to take persistence and time, and patience for all of the goofy mistakes we make along the way.
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